Last year Tibor Lázár aka Occam debuted with his solo album, the deep and enchanting My Rorschach. With his ten-year background as drummer of electronic band Zagar as well as several collaborations under his belt, he began his solo career exploring crossfields of ambient, dub, jazz and downtempo electronica. Discovering the voice of his fascinating muse and singer Eniko Hodosi, he’s found the missing part of his deeply personal instrumental soundscapes. Recently Occam performed his debut album live (watch an exclusive video below) and came out with a single for the hypnotizing track I Was A Dervish featuring remixes from local producers like Subotage and Gábor Deutsch (aka Anorganik). We caught up with Occam for some 10 x 4.
First musical love?
I don’t remember exactly. I've loved music since I was a child, though I think I didn’t have any idols; rather I fell in love with music itself. In early times I was listening to all kind of music which I could find at home (in radio, TV or vinyls). When I was 11 I began listening to extreme metal, but I liked Dire Straits as well as Michael Jackson very much. Hip-hop and jazz came into my life at 15, afro-cuban at 17 and electronic and classical music at 19-20.
Last musical love?
That’s much easier to answer. I love works of the Tunesian oud artist Anouar Brahem. Spirit and sophistication glow from his enchanting music. My favorite living musician.
Favorite part of the day to create?
I managed to create something interesting in all parts of the day, in the morning, in the night, even in Sunday morning. All depends on your state of mind and attunement. But for me the best parts of the day are late afternoon and evening.
A place to create?
I like studios with good acoustics as well as mood (and where you can work undisturbed), but I like mixing in my home studio because I’m familiar with all the equipment. Really it's not the place where you finalize your ideas that matters, but where you get inspired. I like travelling. Good ideas can show up while driving on the highway as much as walking in the woods.
Method or madness?
None of them. Intuition – the most important thing.
On the one hand my drum kits, what I’m using for quite long time. On the other hand I’m in love with the sound of piano, probably the most important instrument for me. But I like the sound of double bass, accordeon, dulcimer, electronic and acoustic guitars, all the analog synths, even the plug-ins, too. I like all instruments. As for effects, I like Sherman filter and Space Echo.
One thing you cannot live without?
I don’t know. I’m not dependent on things. My computer, if I have to say an object.
One thing you would live without if you could?
Bureaucracy. I hate it. All minutes are wasted spent on that.
I lost my father two years ago. I miss him. Life was much better with him.
Eniko (Eniko Hodosi I’m working with). I‘d have never thought of working together with her will be so great, and also that her voice is working so well in my music.
All the moments when I succeed in creating something without my mind, and using my unconciousness for music making.
Listen to your intuitions, then use your mind. Then think ten times, what you let out of your hands as an output. Uh, and read a lot!
Listen to the I Was A Dervish EP out now on Pimodan Records: